Art of the Dead showcases the vibrant, charismatic poster art that emerged from the streets of San Francisco in 1964 and 1966. It traces the cultural, political, and historical influences of posters as art back to Japanese wood blocks through Bell Époque, on to the Beatniks, the Free Speech Movement, and the Acid Tests. Featuring interviews and profiles of the key artists, including Rick Griffin, Stanley “Mouse” Miller, Alton Kelley, Wes Wilson, and Victor Moscoso.
What place is there then for a black American in the “Tower of Babel”? Your quest proves to be greater than you anticipate, Jimmy, extending beyond your particular case as an American citizen of color.
No Stopping Train is the magnum opus and final novel of the late writer Les Plesko, a powerful, swirling novel of memory and violence set during the Hungarian Revolution.
Charlie Carroll’s obsession began with his chance discovery of Seven Years in Tibet in the “Adult Reading” section of his grade school library. The battered hardcover with faded gold lettering sparked a twenty-year obsession with Tibet, and after combing through every book, article, and documentary on the mysterious and controversial nation, Charlie finally decided it was time to stop reading other people’s records and thoughts. A high school English teacher by then, he took a sabbatical and set out to experience the shrouded land for himself. Contending with Chinese bureaucracy, unforgiving terrain, and sickness-inducing altitude, Charlie sought entrance to twenty-first-century Tibet in all its heart-stopping beauty.
Second Life pulls back the curtain on those who exist on the edge of the medical profession, the ones who remove skin and tissue and bones from the dead, for use by surgeons, medical students practicing technique, cosmetic surgeons, medical equipment companies and labs running medical experiments–anyone in need of muscle and ligament and bones. It philosophically explores our obligation to protect the dead and thrillingly examines what happens when we –literally– leave the land of the living.
The video stores are dying. But most of you don’t care. You’ve got your Netflix and your Redbox and your DVR, so why deal with VHS tapes or scratched DVDs? Why deal with the grumpy guy at the worn-down independent video store?
Luis Urrea offers a tour of Tijuana, spanning from Skid Row, to the suburbs of East Los Angeles, to the stunning yet deadly Mojave Desert, to Mexico and the border fence itself. Mixing lyricism and colloquial voices, mysticism and the daily grind, Urrea explores duality and the concept of blurring borders in a melting pot society.