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How did Soft Skull Press get started?
Sander Hicks founded Soft Skull Press in 1992 as a guerrilla publishing operation run under-the-table at the Kinko's where he was employed. The first book with the name Soft Skull on it was Hicks's first novel, Foam.
With partner Susan Mitchell, Soft Skull Press took off, publishing Hicks's Kinko's play Cash Cow, the novel Angelus Novus by Morgan Meis, Lee Ranaldo's Road Movies, an art book from Spencer Tunick, and poetry from indie musicians Todd Colby, Cynthia Nelson, and John S. Hall.
Soft Skull Press went above-board in 1996 and became incorporated in New York State, with the business mentorship of Stuart Bagwell, then Managing Partner, Kinko's of Manhattan. The company continued to grow; in 1998 the press published The Haiku Year, Sparrow 's Republican Like Me, Intermission by Nuyorican Champion Tracie Morris, and Lee Ranaldo's JRNLS 80s.
The company gained national attention, both positive and negative, when Hicks acquired the Bush biography Fortunate Son, dropped by St. Martin's, in the fall of 1999.
The story of the book is too complex to recount in this space, but we strongly recommend the critically acclaimed and award-winning documentary Horns and Halos, which covers the book's saga from its republishing to Bush's installation in the White House by a 5 to 4 vote in the Supreme Court to Hatfield's tragic suicide in the summer of 2001.
Oh yeah, Hatfield's "suicide." You mean you believe that?
See the film.
Where is Sander now?
He voluntarily took a leave of absence from Soft Skull Press in September of 2001, and moved out to his aunt's house on Long Island to write a book about Karl Rove, among other various projects.
He is no longer involved in any aspect of the day-to-day operation of the press. You can learn more about what he is up to these days on his personal site, sanderhicks.com.
I saw Horns and Halos. What's been going on since?
Richard Nash inherited Soft Skull from Sander Hicks and ran the company for the next eight years. He sold Soft Skull to Counterpoint Press in 2007 and in 2009 left to pursue a new venture. Denise Oswald from FSG took the reins in his wake. She and associate editor Anne Horowitz continue to run Soft Skull out of New York City, with our parent company, Counterpoint, helping us from Berkeley, California. We've published some really, really amazing books (see the books mentioned on the home page, and also the great titles that are coming soon!) that we're honored to have a part in bringing to the world. And the scope and scale of our list continue to expand. In 2010 we had our first showing at the Pulitzers, with Lydia Millet and Rajiv Joseph being named finalists.
Do you guys need volunteers or interns?
Yes! Absolutely! We are always looking for smart, motivated, and talented people who:
1) want to dive head-first into indie publishing, and
2)
can work for free!
Interns generally work 10-20 hours a week, and do a little bit of everything. Send Anne Horowitz a cover letter and a recent one-page copy of your resume. anne@softskull.com
Do you have an editorial vision?
To borrow from indie publishing legend Barney Rosset, yes, we have an editorial vision, but to understand it, you have to read all of our books.
Do you accept unsolicited manuscripts?
You bet.
How should I send my manuscript to you?
Read our Submission Guidelines, as well as the profiles of the staff on the about page for more information.
I want to send you a work of fiction. Who is the fiction editor?
We do not have one. There is no one acquisitions editor. However, we all have our interests, we all read manuscripts, and we are all editors-at-large. This is why, in our submission guidelines, we ask that you address your manuscript to "fiction editor" etc. It won't be going to one person, but rest assured it will be going to the right person.
I've got a fantastic idea for a book, but I haven't written it yet, and my landlord is hounding me for the rent check! Can you give me some money?
No.
I sent you an unsolicited manuscript two weeks ago, prepared according to your submission guidelines; have you looked at it yet? What do you think?
While we sincerely appreciate your interest in Soft Skull Press and your enthusiasm, the fact of the matter is that we have a very small staff, and we receive several unsolicited manuscripts a day, not including agented manuscripts.
The point being, it might take us a long time to get around to reading your submission. Like, months and months. Please be patient, and understand that we simply don't have the time to discuss submissions over the phone, or via email. We know it's crummy, believe us. And it's not fair. But IF we are interested in publishing your work, trust us, you'll hear from us.
I think your bosses are a bunch of pansies who are too scared to publish my book!
Actually, yes.
You haven't returned my manuscript! I'm coming round with the cops!
We're fairly certain that they have more important things to do with their time, sir.
So what does "Soft Skull" mean?
To be perfectly honest with you, we're not really sure. Sander says in an interview somewhere that it's kind of "punk" sounding. It's certainly memorable. But we sometimes imagine that it has something to do with the softness of a baby's skull as it emerges from its mother's womb, and the beauty and fragility of a new thing emerging into the world, full of promise and righteous yowling.
What's up with the ant logo?
It's inspired by Grove Press's cat, or Knopf's Borzoi, or the little happy glyph of City Lights. E.O. Wilson's ideas aside, the ant represents something small that lives underground, can carry many times its own weight, behaves collaboratively, and bites bigger creatures on the ass. Plus, our ant's abdomen is a pen nib.
I can't find one of your books in my local bookstore! What do I do?
Get your local bookstore to special order it! Either direct them to our site here or to our distributor, Publishers Group West (800.788.3123). Help them know who we are! Not only will you get your copy, but your bookstore might order one for themselves too, and someone might discover it on their shelves, and voila!, it's like you've inadvertently become a kind of de facto Soft Skull Press street team.
I need to get in touch with a publicist, or request a title for review.
For review copies and publicity inquiries, contact: publicity@softskull.com
I'm planning to use one of your books in a course that I teach and I'd like to order a desk or exam copy. What's the process?
We're delighted to hear it! Desk and exam copies can be ordered through our distributor, Perseus/Publishers Group West. Here's the relevant website:
http://www.pgw.com/home/academic.aspx ...And in case you need to follow up, the phone number as well: 800.788.3123
If you cannot locate the title you are trying to find through that link, please contact us directly: anne@softskull.com
How are your titles distributed to the trade?
Through the following exclusive distribution agents:
In North and South America, Asia, and Australia:
Publishers Group West
1700 Fourth Street
Berkeley, California 94710
U.S.A.
tel. 800.788.3123
info@pgw.com
UK/Europe:
Turnaround
Unit 3, Olympia Trading Estate
Coburg Rd
London N22 6TZ
UK
tel. 020.8829.3000
claire@turnaround-uk.com
I think Soft Skull is awesome! How can I help you, and other independent publishers and bookstores, to survive?
Real simple: Buy our books! Buy lots of our books! Did you love Exit Strategy? Buy it for your mom for Christmas. Hell, buy it for your cousin because it's Saturday. Buy ten copies of Get Your War On and give them to all your friends. Did you like Cool for You? Why not read Heredity? Into the future of music? Buy our Music 2009 subscription.
We like to imagine small presses as being somewhat analagous to small labels. Think of us, if you will, as being kind of like a Kill Rock Stars of publishing; i.e., work on the assumption that if you have a very small group of people working to put cultural artifacts they care about out into the world, if you like one of those cultural artifacts, you might like another as welle.g., if you really dug Elliott Smith's Either/Or, you might totally dig Sleater-Kinney's All Hands on the Bad One too.
The point being, we're all too small and too broke to put out anything that we don't think is incredible, and indie culture, whether it's books or albums, is entirely dependent on a network of enthusiasts and champions who care about it enough to, whenever possible, vote with their wallets and keep it alive.
So spread the word!
And thanks for your support!
Thanks, Soft Skull!
You're welcome.
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