W. Scott Poole



Books

In the Mountains of Madness

The Life and Extraordinary Afterlife of H.P. Lovecraft

This “smart, shrewd, and insightful” biography of H.P. Lovecraft not only explores the author’s fascinating life but also reveals his “lasting power and influence” on the entertainment industry and society as a whole (Victor LaValle, author of The Changeling)

Interweaving the biography of the legendary writer with an exploration of Lovecraft as a phenomenon, In the Mountains of Madness strives to explain this reclusive, cultish figure while challenging some of the general views held by Lovecraft devotees. Focusing specifically on the large cross-section of horror and science fiction fans who know Lovecraft through films, role-playing games, and video games directly influenced by his work, but who know little or nothing about the man himself, In the Mountains of Madness places Lovecraft and his work in a cultural context, as an artist more in tune with our time than his own.

More than a traditional biography, this provocative book reclaims the true essence of Lovecraft in relation to the comics of Joe Lansdale, the novels of Stephen King, and some of the biggest blockbuster films in contemporary America, proving the undying influence of this rare and significant figure.

Vampira

Dark Goddess of Horror

This whip-smart piece of pop culture details the life of the cult horror figure, as well as the much wider story of 1950s America, its treatment of women and sex, and a fascinating swath of Hollywood history.

In Vampira, Poole gives us the eclectic life of the dancer, stripper, actress, and artist Maila Nurmi, who would reinvent herself as Vampira during the backdrop of 1950s America, an era of both chilling conformity and the nascent rumblings of the countercultural response that led from the Beats and free jazz to the stirring of the LGBT movement and the hardcore punk scene in the bohemian enclave along Melrose Avenue.

A veteran of the New York stage and late nights at Hollywood's hipster hangouts, Nurmi would eventually be linked to Elvis, Orson Welles, and James Dean, as well as stylist and photographer Rudi Gernreich, founder of the Mattachine Society and designer of the thong. Thanks to rumors of a romance between Vampira and James Dean, his tragic death inspired the circulation of stories that she had cursed him and, better yet, had access to his dead body for use in her dark arts.

In Poole's expert hands, Vampira is more than the story of a highly creative artist continually reinventing herself, but a parable of the runaway housewife bursting the bounds of our straight-laced conventions with an exuberant display of camp, sex, and creative individuality that owed something to the morbid New Yorker cartoons of Charles Addams, the evil queen from Disney's Snow White, and the popular, underground bondage magazine Bizarre, and forward to the staged excesses of Madonna and Lady Gaga. Vampira is a wildly compelling tour through a forgotten piece of pop cultural history, one with both cultish and literary merit, sure to capture the imagination of Vampira fans new and old.