. . . the feeling one leaves a Pink novel with is less world-weariness or disgust than the recognition of a tremulous, wavering kind of belief in tenderness, beauty, and hope . . .  Pink, who is also a visual artist and a musician, continues exploring a world of the relentlessly profane with the kind of tender humanity usually reserved for stories more interested in the redemption of their characters. Pink is far too honest to fall into this trap. His characters don’t need redemption so much as they need a sandwich, or a blanket, or someone to talk with in order to pass the time, and herein lies the collection’s greatest, and most surprising, strength. A voice like none other writing today—Pink is riveting.


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