A debut collection of poetic, linked essays investigating the past and present state of California, its conflicting histories and their impact on a writer’s family and life.

California has been advertised as a destiny manifested for those ready to pull up their bootstraps and head west across to find wealth on the other side of the Sierra Nevada since the 19th century. Across the seven essays in the debut collection by José Vadi, we hear from the descendants of those not promised that prize. 

INTER STATE explores California through many lenses: an aging obsessed skateboarder; a self-appointed dive bar DJ; a laid-off San Francisco tech worker turned rehired contractor; a grandson of Mexican farmworkers pursuing the crops they tilled.

Amidst wildfires, high speed rail, housing crises, unprecedented wealth and its underlying decay, INTER STATE excavates and roots itself inside those necessary stories and places lost in the ever-changing definitions of a selectively golden state.

Advance praise for Inter State

“What distinguishes this tentative newcomer on the West Coast essayist scene? For one, a fresh approach: Vadi’s deepest purpose is to understand and retrace the footsteps of his abuelo, who picked vegetables up and down the Central Valley. He layers this important quest with a tart mixture of originality and devotion, as well as his own lens as an avid urban skateboarder. And finally, Inter State deserves attention for the way it pits Southern California against the Bay — which is always fun… Some of the liveliest writing is fueled by the author’s roots as a skateboarder with a “unique, original, and destructively perceptive eye,” proving that a journey on urethane wheels can be a profound way to consider a city’s architecture… [A] fast, slim, successful addition to the canon of books that get at something essential about a maddening, sprawling, epic state.”—Nathan Deuel, Los Angeles Times

“California is a palimpsest; there are cities and stories that were erased to make room for the ones that exist now. Vadi’s dispatches about gentrification sanitizing Oakland, the state’s many unheralded laborers (like the incarcerated men and women who work shoulder-to-shoulder but not dollar-for-dollar with our firefighters), and the tech and population booms reshaping the state, are an attempt to unearth those stories . . . His writing transposes those voices from the margins to center stage by letting them assume their rightful place as co-authors of the story of California . . . Inter State comes alive because of the intimacy Vadi infuses into his archiving . . . Vadi’s meticulous retracing of his family’s footprints across the state—down to the exact placement of the orange tree, chiles and aguacates in his late grandfather’s backyard—is exemplary.” —Naomi Elias, KQED

“In this lyrical collection, ethnographer-on-a-skateboard José Vadi uses personal and family history to explore the vicissitudes of California life. Inter State is a soulful chronicle of precariousness in the Golden State—including farm work, tech work, homelessness, gentrification, and wildfires—that also pays homage to the familiar drives, dive bars, and skate spots that will keep its author loyal until death. A rich and moving meditation on the forces that can make us feel displaced even when we know we are at home.” —Nina Renata Aron, author of Good Morning, Destroyer of Men’s Souls

“This is a must read book, it must be read to yourself, aloud to your friends, and to strangers on the bus. José Vadi’s brilliant collection Inter State maps internal and external geographies of California through lush description and deft analysis. From the Bay Area down through the Central Valley into SoCal this collection showcases a voice keenly aware of how history is alive both in the landscape as well as inside his own writing body.” —sam sax, author of Madness and Bury It

“I wonder if our country had more writers like José Vadi whether we’d be in quite so wretched a state as we are. With wit and rage and love in equal measures, Inter State is an antidote to the persistent mythology of power as character. Vadi claws elbow-deep into the soil to unearth that which has been buried, forced aside, and willfully forgotten. He speaks of family and injustice, of labor camps and tech booms, and after reading this book, it is clear that anyone who writes of California without anger is a liar. I look forward to reading it again.” —Kyle Beachy, author of The Slide: A Novel

“What a pleasure it is to trace the many histories of California as mapped by the reverent and incisive José Vadi. Whether driving through a central state valley, trudging up a San Francisco hill, dodging cops, or just making his way through a decadent museum, each of the routes he winds for us is peppered deliciously with historical, political and familial stories all the while being driven by exquisite and generous prose. All these long and meandering sentences moving languidly like a coastline, like a famous highway, like a grape vine: rippling, bending, cascading like the landscape he is conjuring, making memorials where there are none but where there should be. The writing is candid, colorful, captivating and just like the feeling you get when you’re in California, you want to stay here, on this land and in this language forever. Vadi is the perfect Californian flâneur: well paced, inconspicuously observant, just a little bit legally high and reporting live from his skateboard.” —Lauren Whitehead, Writer. Performer. Assistant Arts Professor of Drama at NYU Tisch School of the Arts

“Cerebral and rich with history and sharp observation, Inter State is a searing love letter to California, a physical and emotional map of the places and people we call home, cities that destroy as well as nourish. With smart prose and daring form, these are perfect essays for our complicated times.” —Melissa Valentine, author of The Names of All the Flowers

Gomez’s witty memoir follows a touching and often hilarious spiralic path to embracing his gay, Latinx identity against a culture of machismo—from his uncle’s cockfighting ring in Nicaragua to cities across the U.S.—and the bath houses, night clubs, and drag queens who helped him redefine pride.

I’ve always found the definition of machismo to be ironic, considering that pride is a word almost unanimously associated with queer people, the enemy of machistas . . . In a world desperate to erase us, queer Latinx men must find ways to hold on to pride for survival, but excessive male pride is often what we are battling, both in ourselves and in others.

A debut memoir about coming of age as a gay, Latinx man, High-Risk Homosexual opens in the ultimate anti-gay space: Edgar Gomez’s uncle’s cockfighting ring in Nicaragua, where he was sent at thirteen years old to become a man. Readers follow Gomez through the queer spaces where he learned to love being gay and Latinx, including Pulse nightclub in Orlando, a drag queen convention in Los Angeles, and the doctor’s office where he was diagnosed a “high-risk homosexual.”

With vulnerability, humor, and quick-witted insights into racial, sexual, familial, and professional power dynamics, Gomez shares a hard-won path to taking pride in the parts of himself he was taught to keep hidden. His story is a scintillating, beautiful reminder of the importance of leaving space for joy.

Advance praise for High-Risk Homosexual

“The catalogue page for this debut memoir lists a number of things you can expect to find within the book’s contents. Among them are ‘Maybelline foundation shade: Rich Tan,’ ‘A baby wailing in an ancient Jesuit language,’ and ‘The most famous woman in the world.’ If that doesn’t entice you to read Gomez’s account of figuring out how to embrace his queer identity amid a culture of machismo, I’m not sure what will.” —Keely Weiss, Harper’s Bazaar, A Best LGBT Book of the Year

“Packed with dry wit and searing cultural insight . . . A brilliant and provocative interrogation of sex, gender, race, and love.” —Publishers Weekly (starred review)

“Poignant, vivid, and often hilarious, this coming-of-age memoir fearlessly explores intersectional identity and shows what it means to live and love authentically as a gay man today . . . An engagingly candid memoir from a promising young writer.” —Kirkus Reviews

“High-Risk Homosexual is a keen and tender exploration of queer identity, masculinity, and belonging. From the cockfighting ring in Nicaragua, where he was taken by his uncles to learn how to be a man, to Pulse nightclub in Orlando, where he witnesses freedom and joy on the dance floor, Edgar Gomez writes with honesty and humor about the difficulty of straddling boundaries and the courage of finding oneself. This book signals the arrival of a major new talent.” —Laila Lalami, author of Conditional Citizens: On Belonging in America and The Other Americans

“High-Risk Homosexual is an absolute marvel in voice, style, and its raucous, tender, heartbreaking, compassionate, and ultimately triumphant examination of gay spaces, the politics of gender, violence against GLBTQ folks, and, of course, the human heart. Edgar Gomez is an unforgettable writer with enviously fantastic storytelling skills. You’ll laugh, you’ll cry, you’ll rage, you’ll buy this book for all of your friends.” —Emily Rapp Black, author of Sanctuary and Frida Kahlo and My Left Leg

“Edgar Gomez is the chaotic queer hero we both need and deserve—with humor and charm, he tenderly leads us into night clubs, bathhouses, the backseat of cars with anonymous men, asking us to examine our current place in the world amongst the lonely and brokenhearted, the ones who dare live our truest lives. For anyone whose coming out and coming of age is messy in all the ways, let High-Risk Homosexual be a road map.” —Christopher Gonzalez, author of I’m Not Hungry but I Could Eat

“High-Risk Homosexual is a vivacious, compelling, and intimate portrait about queer coming of age and finding oneself. Gomez’s writing has this special way of inviting us in, like an old friend, catching us up to the pains, doldrums, and pleasures of living, reminding us at every turn of the exquisite messiness that is life. This memoir is a sheer delight, and one not to be missed.” —Marcos Gonsalez, author of Pedro’s Theory: Reimagining the Promised Land

“High-Risk Homosexual is like a delicious cocktail: sharp, nuanced, sweet and tender when the bite must be tempered. Edgar Gomez writes with the magnetic candor that flourishes at gay bars, with as much style as all the queens at DragCon, with observant eyes well-trained in steamy bathhouses—all of which he sketches in these electric pages. This book parses queer spaces, the queer self, with a heart as intelligent and thoughtful as its author. As he proves in his unapologetic memoir, Gomez is a force to be reckoned with.” —Matt Ortile, author of The Groom Will Keep His Name

“Edgar Gomez has written a memoir that stands out among so many others, with a narrative voice that’s singularly hilarious and observant and unforgettable, so perfectly nuanced with memory and humor in limning the landscapes of love in Florida and Nicaragua. At the center is his mother, a bright vivid burst of fear and tenderness and absolute deephearted love. High-Risk Homosexual presents a brand new voice of impeccable clarity and vision.” —Susan Straight, American Book Award finalist and author of In The Country of Women

“There’s a rhythm to vulnerable, honest writing and Edgar Gomez doesn’t miss a beat in High-Risk Homosexual. His characters—his mother, his friends, his lovers—are his dance partners that he lovingly dips and twirls across the page, their beauty on full display even as he bares their humanity and his own to the audience. This memoir is a master class in humor with warmth, not ridicule, and truth with tenderness, not overexposure. Pick this book up for the laughs, but have your tissue ready for a few tears too.” —Minda Honey, author of An Anthology of Assholes

From the author of the internationally bestselling Strange Weather in Tokyo, a collection of interlinking stories that masterfully blend the mundane and the mythical—“fairy tales in the best Brothers Grimm tradition: naif, magical, and frequently veering into the macabre” (Financial Times).

A bossy child who lives under a white cloth near a t­ree; a schoolgirl who keeps doll’s brains in a desk drawer; an old man with two shadows, one docile and one rebellious; a diplomat no one has ever seen who goes fishing at an artificial lake no one has ever heard of. These are some of the inhabitants of People From My Neighborhood. In their lives, details of the local and everyday—the lunch menu at a tiny drinking place called the Love, the color and shape of the roof of the tax office—slip into accounts of duels, prophetic dreams, revolutions, and visitations from ghosts and gods. In twenty-six “palm of the hand” stories—fictions small enough to fit in the palm of one’s hand—Hiromi Kawakami creates a universe ruled by mystery and transformation.

An embittered dog walker obsessed with a social media influencer inadvertently puts a curse on a young man–and must adventure into a mysterious dimension in order to save him–in this wildly inventive, delightfully subversive, genre-nonconforming debut novel about illusion, magic, technology, kinship, and the emergent future.

The year is 20__, and Penfield R. Henderson is in a rut. When he’s not walking dogs for cash or responding to booty calls from his B-list celebrity hookup, he’s holed up in his dingy Bushwick apartment obsessing over holograms of Aiden Chase, a fellow trans man and influencer documenting his much smoother transition into picture-perfect masculinity on the Gram. After an IRL encounter with Aiden leaves Pen feeling especially resentful, Pen enlists his roommates, the Witch and the Stoner-Hacker, to put their respective talents to use in hexing Aiden. Together, they gain access to Aiden’s social media account and post a picture of Pen’s aloe plant, Alice, tied to a curse:

Whosoever beholds the aloe will be pushed into the Shadowlands.

When the hex accidentally bypasses Aiden, sending another young trans man named Blithe to the Shadowlands (the dreaded emotional landscape through which every trans person must journey to achieve true self-actualization), the Rhiz (the quasi-benevolent big brother agency overseeing all trans matters) orders Pen and Aiden to team up and retrieve him. The two trace Blithe to a dilapidated motel in California and bring him back to New York, where they try to coax Blithe to stop speaking only in code and awkwardly try to pass on what little trans wisdom they possess. As the trio makes its way in a world that includes pitless avocados and subway cars that change color based on occupants’ collective moods but still casts judgment on anyone not perfectly straight, Pen starts to learn that sometimes a family isn’t just the people who birthed you.

Magnificently imagined, linguistically dazzling, and riotously fun, Future Feeling presents an alternate future in which advanced technology still can’t replace human connection but may give the trans community new ways to care for its own.

An energetic, witty collection of stories where the supernatural meets the anomalies of everyday life–deception, infidelity, lost cats, cute memes, amateur pornography, and more.

There are analogies between being female and being left-handed, I think, or being an animal.

A woman answers a Craigslist ad (to write erotic diaries for money). A woman walks onto a tennis court (from her home at the bottom of the ocean). A woman goes to the supermarket and meets a friend’s husband (who happens to be an immortal demon). A woman goes for a run (and accidentally time travels).

Cosmogony takes accounts of so-called normal life and mines them for inconsistencies, deceptions, and delights. Incorporating a virtuosic range of styles and genres (Wikipedia entry, phone call, physics equation, encounters with the supernatural), these stories reveal how the narratives we tell ourselves and believe are inevitably constructed, offering a glimpse of the structures that underlie and apparently determine human existence.

A woman discovers something toxic at work in the isolated village where she is apprenticing as a pharmacist, in this fable-like novel about power, surveillance, prescriptions, and cures by a captivating debut voice.

On a remote mountaintop somewhere in Europe, accessible only by an ancient funicular, a small pharmacy sits on a square. As if attending confession, townspeople carry their ailments and worries through its doors, in search of healing, reassurance, and a witness to their bodies and their lives.

One day, a young woman arrives in the town to apprentice under its charismatic pharmacist, August Malone. She slowly begins to lose herself in her work, lulled by stories and secrets shared by customers and colleagues. But despite her best efforts to avoid thinking and feeling altogether, as her new boss rises to the position of mayor, she begins to realize that something sinister is going on around her.

The Weak Spot is a fable about our longing for cures, answers, and an audience–and the ways it will be exploited by those who silently hold power in our world.