The Art of the Dead showcases the vibrant, charismatic poster art that emerged from the streets of San Francisco in 1964 and 1966. It traces the cultural, political, and historical influences of posters as art back to Japanese wood blocks through Bell Époque, on to the Beatniks, the Free Speech Movement, and the Acid Tests. Featuring interviews and profiles of the key artists, including Rick Griffin, Stanley “Mouse” Miller, Alton Kelley, Wes Wilson, and Victor Moscoso.The book uses Grateful Dead as the vehicle to tell the story of poster art as The Dead were the band that ultimately proved to be the most substantive and engaged partner for the artists and hence featured the best art of any rock ‘n’ roll band ever. The book will follow a chronological evolution of the art from the band’s origination in 1965 through Jerry Garcia’s death in 1995. The book is in four-color throughout, featuring iconic and rare images as well as extensive “process” material, including sketches, original art, blue lines, film, and printing plates that show how the art was created. It will also include essays by Greil Marcus, Peter Coyote, and Victoria Binder, as well as essays on the elements of the printing process from the original art to the final poster. Ultimately, the Art of the Dead makes the case that poster art is truly an original form of American fine art.
A striking book that will be of passing interest to all fans of graphic design, this is especially useful as a unique and valuable reference to a vibrant, short-lived form of expression. This era of poster art is sure to be of interest to cultural and art historians and critics for years to come.
This handsome, lavishly illustrated volume chronicles the rock poster movement from the mid-1960s through the mid-1990s via profiles of artists who created and nurtured the genre... revealing essays by Greil Marcus and longtime Grateful Dead drummer Mickey Hart nicely complement the 140 images showcased here.