An impressionistic reimagining of the life of the least-known Brontë sibling, Branwell—brother of Charlotte, Emily, and Anne; only son; opium eater; and restless artist. A new edition with an introduction by Darcey Steinke.
They must coax his hidden talent out into full bloom. He must be driven enough, in imagination, talented enough to support them all.
Branwell Brontë—brother of Charlotte, Emily, and Anne—has a childhood marked by tragedy and the weight of expectations. After the early deaths of his mother and a beloved older sister, he is kept away from school and tutored at home by his father, a curate, who rests all his ambitions for his children on his only son. Branwell grows up isolated in his family’s parsonage on the moors, learning Latin and Greek, being trained in painting, and collaborating on endless stories and poems with his sisters. Yet while his sisters go on to write Wuthering Heights, Jane Eyre, and Agnes Grey, Branwell wanders from job to job, growing increasingly dependent on alcohol and opium and failing to become a great poet or artist. With rich, suggestive sentences “perfectly fitted to this famously imaginative, headstrong family” (Publishers Weekly), Branwell is a portrait of childhood dreams, thwarted desire, the confinements of gender—and an homage to the landscape and milieu that inspired some of the most revolutionary works of English literature. A new edition with an introduction by Darcey Steinke.
In Branwell, his luminous, cameo-like new novel, Douglas Martin (Outline of My Lover) pays homage to this unlikely subject, creating a moving and evocative portrait of a boy doomed to enter history as a sad footnote to his sisters’ lives. . . . the prose here is so finely wrought that the novel has an otherworldly feel.
Douglas A. Martin has created a gem of a novel with Branwell: A Novel of the Brontë Brother, the story of Branwell Brontë and his failure to realize the expectations of others as well as himself. This depiction of the lone Brontë brother is dark and well-told in the magnificent voice of the author. As Branwell descends into addiction and self-destruction, Martin’s fanciful prose depicts the lad’s moods and actions delicately and perceptively, to the very end.
Martin has evocatively captured the sad parameters of Branwell’s world, revealing the pattern of his self-destructive path through life in a way that is painful but also memorable.
A tender, tragic portrayal of a doomed artist . . .this volume’s beautiful declarative sentences are perfectly fitted to this famously imaginative, headstrong family; they bring Branwell Brontë’s world to light.