In twelve startling and vividly imagined stories, Ranbir Singh Sidhu overturns the lives of ordinary Indians living in America to bring us a bold debut collection, Good Indian Girls.A woman attends a de-cluttering class in search of love. A low-level, drunkard diplomat finds himself mysteriously transferred to the Consulate in San Francisco, where everyone believes he is a great, lost poet. An anthropological expedition searching for early human fossils goes disastrously wrong and the leader turns to searching for the very first sounds made by humans. The wife of a retiring Consul pays tribute to her pet python by preparing to serve him to her dinner guests. A strange skull discovered outside an orphanage results in the creation of a cult around one of the charismatic young residents. Unsettling, moving, insightful, humorous — these beautifully written stories travel between despair and redemption as they illuminate the lives of often deeply flawed characters, and mark the emergence of a major new voice in American fiction.
With adeptly drawn characters, Sidhu demonstrates a dexterous grasp of the human psyche, while the prevalence of dark twists displays his love of the fatalistic. This propensity for the morose will be off-putting for some but is sure to please those with a taste for black humor and shades of the diabolical.
Among these stories of dislocation and fragments of lives when time seems out of joint, The Discovery could have you thinking of Toba Tek Singh--Manto’s heartbreak about the madness of Partition, for it’s about a man who can’t make sense of the world as it splinters into ’notcountries’ and ’notwords’. Border Song, among the lightest pieces in this collection, finds transformative grace in grief and a closure of sorts that eludes characters in The Order of Things, a masterpiece of a story that could have you marvelling at Sidhu’s incisive and distinctive perspective for the Punjab experience of violence, exile and estrangement--both within India and abroad.
Whenever I pick up a story by Ranbir Sidhu, I feel as though I’ve been released from the cedarwood closet of literature into the fresh air of active creation; as though I’d been fitted with brand-new high-tech earphones picking up an infinity of eloquent microphones cleverly scattered around the world. The pops and squeaks of new life crackle in my ears, and even when they’re threatening or saddening, I’m inevitably overcome by the hope that they’ll never stop.
Ranbir Sidhu is imaginative, with a dry, sly wit, very intelligent, and owns a wicked sensibility, all of which makes his fiction smart, daring, sensitive to human perversity, and keen in its observations. He is one of the most compelling and sophisticated younger writers today; and his writing is beautiful and entertaining.
The first-person narrator of ’The Good Poet of Africa’ despises poetry, repays compassion with insult, and enjoys lying to children. but, by story’s end, the moral universe will be turned on its head, and the reader will empathize with Ranbir Sidhu’s loathsome protagonist. This is writing of uncommon assurance and skill.
It is with pleasure that I look forward to seeing Ranbir’s debut published and having a chance to read it properly. I first met him in 2007, when he was awarded a fellowship at the William Flanagan Creative Persons Center in Montauk, NY, of which I am Director. While there he displayed great talent and dedication and since, I have watched as he has taken the time to seriously develop his craft.