Oval

by Elvia Wilk

List Price: $16.95
Paperback | 5.5 x 8.25, 352 pages | ISBN 9781593764050

Order Ships 06/04/2019

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“Elvia Wilk’s Oval is a marvel. At the core of this seductive, acute, superbly-contemporary update of mid-period J.G. Ballard lies a deep-beating, deep-dreaming heart.” —Jonathan Lethem

“A fascinating near-future exploration of relationships, sustainability, and power. An extraordinarily accomplished debut novel.” —Jeff VanderMeer, author of Borne and Annihilation

In the near future, Berlin’s real estate is being flipped in the name of “sustainability,” only to make the city even more unaffordable; artists are employed by corporations as consultants, and the weather is acting strange. When Anja and Louis are offered a rent-free home on an artificial mountain—yet another eco-friendly initiative run by a corporation—they seize the opportunity, but it isn’t long before the experimental house begins malfunctioning.

After Louis’s mother dies, Anja is convinced he has changed. At work, Louis has become obsessed with a secret project: a pill called Oval that temporarily rewires the user’s brain to be more generous. While Anja is horrified, Louis believes he has found the solution to Berlin’s income inequality. Oval is a fascinating portrait of the unbalanced relationships that shape our world, as well as a prescient warning of what the future may hold.

J. G. Ballard meets William Gibson meets Jeff VanderMeer. Oval is an up-to-the-minute story about the twilight zones of corporate design, aesthetics, pharmacy, and bioengineering, where there’s nothing consultants won’t break in the quest for ’innovation.’ What could possibly go wrong? Find out in Elvia Wilk’s crisp and stylish debut book.

 
—McKenzie Wark, author of Gamer Theory and A Hacker Manifesto
1/11

Everything is work—mourning, clubbing, reading your partner’s moods. And everything is a scam—plants that become buildings, jobs that become consultancies, apps that become jobs. With astonishing emotional accuracy, Oval records what it feels like to hover between two poles.

 
—Sasha Frere-Jones
2/11

Wonderfully clever and beguiling. The circle may be absolute, but the oval remains restless and bursts with potential.

 
—Chloe Aridjis, author of Sea Monsters
3/11

As a social comedy of modern relationships and gentrifying Berlin, Elvia Wilk’s debut is exquisitely funny and exquisitely well observed. But it also has something weirder spliced into its DNA: fragments of the future that transform this story into a fabulous biopunk hybrid that’s not quite like anything else I’ve ever read.

 
—Ned Beauman, author of Madness Is Better Than Defeat and The Teleportation Accident
4/11

With wit and precision, Elvia Wilk pinpoints the moment when neoliberalism metastasizes into something far more sinister.

 
—Tom McCarthy, author of Satin Island and Remainder
5/11

A fascinating near-future exploration of relationships, sustainability, and power. An extraordinarily accomplished debut novel.

 
—Jeff VanderMeer, author of Borne and Annihilation
6/11

So good, so dark, so funny, so cruelly smart about where we are and where we’re going. This book is a petri dish growing a new strain of heartbreak. I’m sick with love for it.

 
—Shelley Jackson, author of Riddance and Half Life
7/11

Deeply weird and unsettlingly hilarious, Wilk’s dystopian debut pushes the grim absurdities of the present just a little bit further, into a near future that’s too plausible for comfort . . . The book’s true surprise is its startling emotional kick: If the circumstances are heightened to extremes, the relationships—with their delicate dynamics—are all too real. Witty and alarming, a satire with (unexpected) heart.

 
Kirkus Reviews (starred review)
8/11

Oval is Don DeLillo’s White Noise updated for 2019 minus the satire of academia plus a layer of millennial discontent . . . Swift plot, lotta underlineable sentences, what’s not to love.

 
—Molly Young, Read Like the Wind
9/11

The book feints toward an Ottessa Moshfegh–style ennui, the kind of tragic vision that disguises itself as satire. But Oval has a warm center in Anja, who is friendlier, more approachable, less alienating and alienated than the typical Moshfegh heroine . . . [Anja] is finely observed and solid, capable of both banter and feeling . . . When Wilk examines social behavior, her attention snags in all the right places . . . Like Oedipus or Othello, characters in Oval can neither alter their destiny nor anticipate its shape. Yet Wilk entwines a classical sensibility with biological determinism—she almost suggests that humans have reached the final phase of a natural decomposition process, like cells programmed to grow and then atrophy.

 
—Katy Waldman, The New Yorker
10/11

Oval offers commentary on capitalism, consultants, drugs, climate change, and more—but it’s more than commentary. It’s smart and enjoyable and a little bit terrifying.

 
—Emily Burack, Alma
11/11

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