In her new collection, gifted poet and novelist Kim Addonizio uses her literary powers to bring to life a variety of settings, all connected through the suggestion that things in the known world are not what they seem.In “Beautiful Lady of the Snow,” young Annabelle turns to a host of family pets to combat the alienation she feels caught between her distracted mother and ailing grandfather; in “Night Owls,” a young college student’s crush on her acting partner is complicated by the bloodlust of being half-vampire; in “Cancer Poems,” a dying woman turns to a poetry workshop to make sense of her terminal diagnosis and final days; in “Intuition,” a young girl’s sexual forays bring her closer to her best friend’s father; and in the collection’s title story, a photographer looks back to his youth spent as a young illusionist under the big tent and his obsessive affair with the carnival owner’s wife. The stories in this collection have appeared in journals ranging from Narrative Magazine to The Fairy Tale Review, and include the much loved “Ever After,” which was featured on NPR’s “Selected Shorts.” Distracted parents, first love, the twin forces of alienation and isolation: the characters in The Palace of Illusions all must contend with these challenges, trafficking in the fault lines between the real and the imaginary, often in a world not of their making.
The 14 stories in this new collections range from realist, contemporary narratives to darkly comic fairy tales that subtly complicate the binary oppositions of good versus evil and contentment versus despair....Addonizio is adept at humanizing monsters or characters that resemble them...The Palace of Illusions is a collection of many delights, its mirrors reflecting and magnifying the contradictions and conflicts inherent in human experience.
A streak of dark humor, colored with a tinge of pathos...
...[a] lovely short story collection.
Though Addonizio’s characters find themselves in unusual predicaments, she nonetheless convincingly renders their psyches. The stories are weighty but unassuming, and readers can identify with the characters whether they’re vampires, carnies, or pet killers. This book is for those who enjoy sardonic humor, forceful narration, and a variety of genres.
Many of the poems in Tell Me can be read as intensified versions of the barroom ballad--songs of good and bad love, songs of the allure and the failure of drink. But regardless of the subject, Kim Addonizio’s poems are stark mirrors of self-examination, and she looks into them without blinking.
The stories in The Palace of Illusions are searingly beautiful, evocative, and surprising. Kim Addonizio is a master who gives the traditional story form a startling twist. From fairy tales colored by sexual longing to a freshly irreverent exploration of death, this is a collection in the best tradition of Robert Coover and Angela Carter.
Poet Addonizio brings her hip, dark sensibility to a second collection of short fiction.
Kim Addonizio writes like Lucinda Williams sings, with hard-earned grit and grace about the heart’s longing for love and redemption, the kind that can only come in the darkest dark when survival no longer even seems likely.
If there’s justice in the world, this summer Kim Addonizio is going to step in where Alice Sebold and her Lovely Bones left off...Little Beauties encases a real, thumping heart between the pages. Let the lovefest begin.
A wonderfully optimistic, quirky testament to the power of chance encounters.
Like Anne Lamott...Addonizio seems to sense how to pull back from sentimentality, be it with humor, honesty or clarity of vision.
I found myself rooting for them -- a real trick to pull off -- rooting for each, especially that new baby...
Kim Addoinizio’s first novel is one of those rare books that is both a complete departure from a writer’s previous work and a natural extension of it. Like her four books of poetry, rawly beautiful examinations of the body and heart’s excesses, Little Beauties tackles tough subjects -- unequipped mothers, the loss of love, mental illness -- with unflinching clarity, lyricism and humor.
Kim Addonizio’s imagination is like a runaway train under perfect control. Nuanced, shaded and unshaded, her poems are bold, brave, respectful of the darkness, perfectly pitched, and virtually every one reverberates with a kind of wild tenderness. Lucifer at the Starlite is one of the best reasons to read poetry today.
[A] well-paced, readable book; Addonizio has a natural gift for pacing. She also achieves a novelistic detachment rare for poets. She refuses to romanticize her characters but also never loses sympathy with their humanity.
In Kim Addonizio’s fanciful and witty novel, I can’t decide whose voice I like more: the obsessive compulsive’s, the pregnant teenager’s, or the newborn’s. Each is great--sharp, funny, and above all surprising. One thing they all share is their creator’s love of language. These are voices that will continue to resonate long after you’ve read the last page of the book.