Poetic experiment in the essay form, skewed ekphrasis instead of art criticism, delirious critique in place of cultural history and a confessional approach to theoretical explorations of gender and sexuality – does it sound familiar? It should, because some of the most adventurous writing of the past decade has either shared a great deal with Koestenbaum’s work or been directly influenced by it.

 

Read more here.

 

 

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