Ives, who once described herself as ‘the author of some kind of thinking about writing,’ examines the conditions that produce authors and their work while never losing a sense of wonder at the sheer mystery of the written word . . . The book’s postscript is another kind of writerly transgression, as Ives emphatically tells rather than shows. In a novel full of doubles, veils, and proxies, it makes sense that Ives concludes with yet another layer.

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