Art and architecture writer Elvia Wilk’s debut novel Oval (Soft Skull Press) takes place in a parallel-present Berlin—a weird version of our already strange techno-unreality where . . . . what was once the largest open space in a rapidly-changing urban Europe is now an experimental eco-village of supposedly sustainable houses. . . . The already dysfunctional home, itself revealed to be a piece of radical architecture (no spoilers here), decays and becomes wild as the narrative progresses, while the urban topography of Berlin is radically transformed by gentrification and other disasters.
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