Nelson’s 2018 reprint provides precise evidence of her singular and true innovation in content, form, and timeless(ness). It drops controlled dollops of poetic meter, rhyme, and lyricism. It steals from multiple styles (Nelson cites her “thefts” on the acknowledgement page), it exudes nuanced understanding of postmodernity. It cries with confession; boxes with language. Nelson is raw, honest, rough, and tender.

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