Polyphonic, wickedly funny . . . Loudermilk may best be read as a contribution to a growing body of literature that both historicizes and critiques the MFA program . . . Loudermilk suggests that MFA programs are only incidentally committed to the production of great writing, that their true purpose is the cultivation and maintenance of power. In this, they have been perversely successful—as successful as Loudermilk himself.

 

From The Georgia Review, Winter 2019.

 

 

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