Praise For This Book
The Millions, A Most Anticipated Book of Summer
"Haunting . . . Less experimental fiction and more fiction on the human experiment—what kinds of new approaches to mating, community and family will allow people to survive? . . . [Kawakami] finds humor and warmth in the puzzles of existence and extinction." —Hilary Leichter, The New York Times Book Review
"Under the Eye of the Big Bird is a disquieting work of speculative fiction from celebrated Japanese author Hiromi Kawakami . . . [It] offers a poignant look at a dying civilization looking to rebuild . . . Kawakami poses questions about cloning, reproduction, identity, memory, and evolution, while also offering solutions to combat mankind’s downfall." —Shannon Carlin, Time
"A series of interconnected vignettes that take place in a world in which sexual reproduction, family ties and societal roles have been reimagined . . . an atmospheric vision of a civilization adrift." —Thu-Huong Ha, The Japan Times
"Kawakami takes her idiosyncratic and quirkily funny eye to science fiction . . . With signature style, Kawakami writes a distinct and off-kilter epic of Earth on the brink of collapse across 14 distinct geological epochs." —Sam Franzini, Our Culture Mag
"[A] visionary speculative work . . . This will stay with readers." —Publishers Weekly
"[Kawakami] examines the disturbing fate of humanity, intriguingly fused with biblical references and (r)evolutionary theories. Notable translator Yoneda deftly captures Kawakami’s meticulous balance of doom-and-gloom and a surprisingly poignant charm." —Booklist
"Speculative, artful . . . [It] sketches out the end of the world while simultaneously positing nearly unthinkable solutions and grappling with fundamental questions about identity, evolution, memory, and individualism . . . A wild take on humanity’s last stand and our flawed understanding of who we are." —Kirkus Reviews
“No other book of hers convinces me more that Kawakami used to be a teacher of chemistry. A sad but beautiful depiction of a perishing world.” —Banana Yoshimoto
"When I finally closed this book, I felt as though I'd become one of Kawakami's narrators. I even found myself glancing behind me to make sure no one was watching. Calling this book 'worth reading' does it hardly any justice at all."--Yukiko Motoya, author of The Lonesome Bodybuilder
"This delicate story about the future of humankind is fantastical, serious, and nostalgic. I was absolutely stunned by it."--Yasutaka Tsutsui, author of Paprika
"It's as if all of the stories Kawakami had accumulated inside her brain suddenly broke through its membrane and burst into the world. I have a feeling that Hiromi Kawakami will someday win the Nobel Prize."--P+D Magazine