In the Mountains of Madness interweaves the biography of the legendary writer with an exploration of Lovecraft as a phenomenon. It aims to explain this reclusive figure while also challenging some of the general views held by Lovecraft devotees, focusing specifically on the large cross-section of horror and science fiction fans who know Lovecraft through films, Role Playing Games, and video games directly influenced by his work but know little or nothing about him.More than a traditional biography, In The Mountains of Madness will place Lovecraft and his work in a cultural context, as an artist more in tune with our time than his own. Much of the literary work on Lovecraft tries to place him in relation to Poe or M.R. James or Arthur Machen; these ideas have little meaning for most contemporary readers. In his provocative new book, Poole reclaims the true essence of Lovecraft in relation to the comics of Joe Lansdale, the novels of Stephen King, and some of the biggest blockbuster films in contemporary America, proving the undying influence of this rare and significant figure.
This work by Poole makes Lovecraft’s story accessible to casual readers without forsaking the level of detail expected of a more scholarly work... this book entertains and surprises, as with Poole’s decision to write in the first person--he’s a wry and jovial narrator. He also takes pains to explore Lovecraft’s influence upon art and popular culture... This interesting biography also provides new perspectives on the author’s character that will incense the keepers of Lovecraft’s mythos.
H.P. Lovecraft is having one hell of a resurgence. Luckily, the author of the man’s latest biography is the smart, shrewd, and insightful W. Scott Poole. In The Mountains of Madness gives a welcome accounting of Lovecraft’s career but, importantly, urgently, Poole also offers a new outlook on the women in Lovecraft’s life. His mother and wife, dismissed or vilified for so long, are cast as some of his most essential supporters. What a welcome new point of view this book offers about this issue and so many others. What a wonderful testament to the lasting power and influence of H.P. Lovecraft.
As Poe was to the 20th century, Lovecraft is to the 21st, and W. Scott Poole’s book is his Horrible Holiness’s Gospels, his Revelations, and his Necronomicon, all in one, like some kind of twisted trinity guiding us deep into the mountains of madness.
Finally, Poole lovingly gives Vampira her due.
Before there was Dr. Morgus, Svengoolie, and Elvira, there was the titular Vampira. This stone-cold winner belongs in every American studies collection.
Scott Poole has the chops, the Hollywood savvy, and the horror genre’s insider smarts to write a killer book on Vampira. I’ll be first in line to grab a copy.
Horror hostess, bondage goddess, Charles Addams cartoon come to life, Vampira was every first-generation fanboy’s wet dream. Scott Poole takes us on an unforgettable ride through the overlapping underworlds of B+D magazines, Hollywood noir, and early political liberation movements that inspired actress Maila Nurmi to challenge a postwar culture bent on stifling women’s, choices, bodies, and desires. This book is a subversive masterpiece.
W. Scott Poole’s last book, Monsters in America, was a dazzling work of cultural history: smart, funny, subversive and wildly entertaining. He showed a special gift for playfully saying serious things. His new book is even more wonderful. The life of Maila Nurmi, better known as the late-night TV hostess Vampira, is a great, strange story in itself, but also allows Poole to explore our attitudes about sex, death, fear, and difference. ’The Lady of Horror’ was famous in the 1950s, but she is a remarkable symbol who connects backward to Poe and forward to Goth. She is as American as the Statue of Liberty.
Vampira is up there with Vincent Price for lovers of the macabre, an icon whose shadow and influence lingers long after death. She’s not only important to modern children of the night for being the first TV horror host, but as the original ’Glamour Ghoul, ’ whose style has inspired generations of Goth Girls to adopt the sexy undead look as their own. But there is more to her story than her ability to look good screaming, and Scott Poole, whose writing on the dark side of popular culture has proven to be some of the smartest, sassiest com-mentary on American society around, is the man to tell it.
An expert critic of pop culture, W. Scott Poole is one of the finest historians of all that is wicked, salacious, and sexy in America. By looking into the life and times of Maila Nurmi, the former stripper turned television’s dark goddess of sex and death, Poole unveils a new side of midcentury America, which we too often forget the steamy, scary, and sensational.
Vampira represents a way to talk about fifties culture, especially about its political and moral pressures. Scott Poole has shown how brilliantly he can unearth cultural fears and desires.
A fascinating journey through 1950s America...this pioneering book is a tribute to the change that Vampira incited and the awakening that so many unknowingly received from her presence.
W. Scott Poole has written a fascinating and illuminating socio-sexual history of the last half decade of American Pop Culture....W. Scott Poole explores deftly and accurately the history and the politics of both feminism and "the outsider," the parts of America pushed to the curb but yearning for acceptance, love, and financial success, the "new and shiny" promise of the (supposed) post war era. Poole has done a great job in bringing such a variety of disparate pieces into a singular whole, and this book should be bought and read by anyone interested in the unspoken history of Hollywood, and the darker story of our culture.
Poole is as concerned with the larger social changes afoot in mid-century America and uses the Vampira narrative to approach the second half of the 20th century from a fresh, and new thought-provoking perspective...[Vampira] provides an interesting and singular window into a time in the nation’s past that can hardly be over-examined, especially as so many of the battles described are still being fought and it can often seem as if some of the hard-won gains of the era are slowly being given up.