an imprint of counterpoint

How Best to Avoid Dying

In this devilishly clever collection of short fiction, renowned humorist Owen Egerton leads us on a wildly surprising, darkly comic, and often heart-wrenching ride into the terrible beauty of life’s end. With razor wit and compassionate insight, Egerton has a crafted a work that brilliantly explores the pain and wonder of life, knowing that with the turn of any corner death could be panhandling for your soul.

God’s Doodle

Throughout history, man has revered his penis as his “most precious ornament.” From small to large, thick to thin, smooth to wrinkled, Hickman lets the history of this mystery hangout for all to see. It is a stiff subject, but we easily settle in with the likes of Bill Clinton, Michelangelo’s David, and Shakespeare as they followed their heads. With precious detail given to precious material, if you were to wrap your hands around anything less than two-inches thick, it should be God’s Doodle.

In Violet’s Wake

When Marshall VanDahmm’s wife Violet, married four times previously, informs him that she’s divorcing him, he promptly falls apart. She refuses to offer a reason for the divorce, and Marshall is utterly confused. Out of anger and desperation, he seeks out one of Violet’s exes, Costa Pavlos, with whom he’s convinced she’s been having an affair. Despite a rocky introduction, Marshall and Costa form a tentative friendship, and together they seek out Violet’s other exes.

The Fan Who Knew Too Much

Comprised of eight essays that range from art to obsession, Heilbut explores the roles of gays in the gospel church, profiles the life and work of Aretha Franklin, discusses the rise of the soap opera and Irna Phillips, its most influential figure, detours to an expose on male sopranos, and explores the roles of émigrés from Hitler’s Germany to America.


Chicken—the word is slang for a young male prostitute—revisits this year of living dangerously, in a narrative of dazzling inventiveness and searing candor. Shifting back and forth from tales of Sterry’s youth to his fascinating account of the Neverland of post—sixties sexual excess, Chickenteems with Felliniesque characters and set pieces worthy of Dionysus.

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